Bradley is RGM’s Executive Producer and a key manager of legal, financial, and strategic matters. With RGM his credits include the world tour of Jean Paul Gaultier’s Fashion Freak Show, licensed productions of Everybody’s Talking About Jamie, and international productions of Velvet, as well as a number of shows in development.
As well as his role at RGM, Bradley is Executive Producer at Nullarbor Productions where he has overseen productions of Priscilla Queen of the Desert, the Musical based on the Oscar-winning movie in over 20 countries worldwide including West End, Broadway, and Australian productions, as well as the first national UK and North American tours, a cruise ship production, and the immersive show Priscilla The Party!
Bradley began his diverse career in performing arts management over 30 years ago in New York, working in new musical theatre development at Musical Theater Works (off-Broadway) and classical circus at the Big Apple Circus (Lincoln Center).
During his 10 year tenure as General Manager with Glynis Henderson Productions, he worked on the West End and international touring productions of STOMP. With Back Row Productions, he was Executive Producer of Tap Dogs (West End and Sydney seasons) and Matthew Bourne’s Swan Lake (New York season, UK and Italian tours). As General Manager of Pericles Productions he oversaw a number of West End and UK touring productions.
Bradley was once Concert Producer for New York City Gay Men’s Chorus where he produced three concert seasons at Carnegie Hall with guest artists including Cyndi Lauper, Faith Prince, Eartha Kitt, Bebe Neuwirth, Laurie Beechman, Jerry Herman and Carol Channing.
He is also a championship level ballroom dancer, a British and European Same-Sex Show Dance Champion, and with his husband Soren, is demi-famous for being the other half of The Sugar Dandies (semi-finalists on Britain’s Got Talent, 2012). Born in California, he comes from a family of American winemakers and vintners and is an expert on Pinot Noir from around the world.
Bradley has a BSc in Arts Administration (Wagner College, New York) and an MA in Arts Management (City University, London). He is a graduate of The Commercial Theatre Institute (TDF, New York) and studied intellectual property law at London Metropolitan University.